![]() ![]() The full plot and subplots of your script have no place in your logline. You only have one sentence to pitch your movie. ![]() Whether it’s something unique, ironic, gripping, or comedic, there has to be something that attracts you to the concept.Ī logline is not a synopsis. Terry Rossio wrote a brilliant article about your concept needing to have a “ strange attractor.” I think that’s the best way of thinking about it. There needs to be a hook to your logline something that compels people to want to learn more about the concept (i.e. That’s a lot for one sentence! They don’t all have to be in there explicitly, but a good logline should imply all these things. Your logline should give a sense of the genre, tone, main plot, protagonist’s struggle, antagonist, time frame, location, target audience and budget. “captures the essence of your screenplay” ![]() Logline (noun): one sentence (or in rare instances - two) that captures the essence of your screenplay in the most compelling and succinct way possible.įalsely convicted of murdering his wife, a doctor desperately searches for the real killer, with a relentless federal agent hot on his trail. If you don’t have a killer logline, your script will probably never be made into a movie, or even be read by a producer/executive/agent/actor in the first place. Having a great logline is extremely important - both for pitching your script, and for making sure your story is focused and engaging. Blake Snyder used to refer to loglines as “the coin of the realm” in Hollywood. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |